Thursday 28 January 2016

Sound Planning

Our sequence is filmed with a voiceover instead of dialogue filmed on camera. This is useful because when we start filming in our location, when it will most probably be windy as most of our locations are based outside, we won't have to worry about the volume of the audio and are able to block out all of the wind and background noise of the traffic.

We shall record our dialogue in the media suite completely separately to our recordings, as there isn't any dialogue being filmed at the same time as the film, the viewers will never know the protagonists voice, therefore if Imogen and I record it ourselves, we can create the tone we want for our protagonists story telling.

In terms of sound, we will be inserting foley throughout in order to empathise a very small feature of our film to such a large, busy scene. Here is a list of foley that we intend to use:
  • Wind
  • Heavy breathing 
  • Drips of blood
  • Gasps 
  • Grass crunching 
  • Traffic (cars)
  • Creek of a swing 
  • Laughing
However, except from foleys, we will also need music throughout the sequence. We have not yet decided which music track we are going to use yet, but here are some screenshots of research we did into music:







Looking for Foleys 






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